Getting to Know Emma Jane Donald
In this continuation of our interview with Emma Jane Donald, we delve deeper into her recent transition back to New Zealand, the role of contemporary jewellery in today's world, and the influences that have shaped her artistic journey.
PO8: You've recently moved back to New Zealand. How has this transition influenced your creative practice, and are you finding new sources of inspiration in your homeland?
EJD: Aotearoa’s unique landscape has had a profound influence on my work, shaping what I see as a New Zealand Noir aesthetic. The deep, moody tones of my whenua, the environment I grew up in - its rugged winter landscapes, black sand beaches, and vast untamed plains - have naturally found their way into my designs. I’m drawn to white gold, platinum, and blackened sterling silver, alongside neutral toned gemstones like black, grey, and white diamonds, which I feel beautifully embody these dramatic surroundings. Deep green sapphires have also become a signature element in my work.
Since returning to Aotearoa, my jewellery has been showcased on the runway for ZAMBESI at NZ Fashion Week, and my Auckland workshop and showroom are now based within THE SHELTER - an iconic fashion boutique that champions both international and emerging local designers. Being part of the NZ fashion community has encouraged me to expand my practice, leading to smaller collections in sterling silver and the opportunity to collaborate with some of the country’s most inspiring creatives.
PO8: How do you see the role of contemporary jewellery in todays world, and what do you hope your pieces convey to those who wear them?
EJD: Contemporary jewellery offers a meaningful alternative to mass-produced pieces that are enduring, personal and imbued with a human touch. I strive to create jewellery that resonates with the wearer, evoking a sense of connection and individuality. My hope is that each piece becomes more than just an accessory, rather a cherished part of someone’s story. Ultimately, I want the wearer to find as much joy in wearing it as I do in creating it.
PO8: Are there any New Zealand artists or craftspeople - contemporary or historical, who have significantly influenced your work? If so, who and how?
EJD: As an Australian export, I honed my craft while living in Melbourne and was fortunate to work under William Griffiths, a fellow New Zealander now based there (and represented at Pieces of Eight). He played a pivotal role in my development as a jeweller - my first silver pieces were created in his Gertrude Street studio - and I later became his workshop assistant. His innovative designs, technical mastery and generosity in sharing knowledge were incredibly inspiring, ultimately leading me to study jewellery engineering.
During my time at art school, I was particularly drawn to the work of Ralph Hotere -not only for aesthetic qualities but also for its political poignancy. His use of materiality and elemental forms has long resonated with me, and I believe traces of this influence can be found in my own practice.
We invite you to experience the captivating beauty of Emma's work first-hand. Visit Pieces of Eight Gallery to see her exquisite collection in person, or follow the link below to explore her designs online. Whether you're drawn to the architectural elegance of her pieces or her "New Zealand Noir" aesthetic, there's no doubt that Emma's contemporary jewellery will leave a lasting impression.
